Likewise, the gradual build of ‘War’ is routinely delivered and ineffective. The low points come in the form of ‘I Need To Know’ and its blatant attempt to be an impassioned pop ballad with nauseating lyrics. While ‘The Chase’ embraces a stomping alt-rock approach, even with banal words from Quinn, “not living for the thrill of the moment”. The latter contains a lyrical punk bite as Quinn states “we march to the beat of a different drum”. Lead single, ‘Legends’ is an infectious earworm of an anthem while the paring of ‘One Man Army’ and ‘Cheers’ are uplifting and defiant. Undoubtedly, Sirens have found their niché and no matter how much they attempt to stray from the norm, the delivery is still the same.ĭon’t get us wrong, if you’re looking for a handful of soaring pop-rock songs, then ‘Gossip’ has enough to satisfy your needs. In addition, the distinctive and opinion-splitting vocals of Kellin Quinn take centre stage throughout. However, it ultimately falls flat on its intentions.Īs ever, SWS showcase a set of slick, boisterous rock songs ‘Trouble’, ‘Empire to Ashes’ and ‘Cheers’. Pre-emptied by clichéd comments of “maturing” and lyrically coming from “difficult circumstances”, ‘Gossip’ is set up to be Sirens’ most intriguing record to date. Now on their fifth album, and first on a major label, SWS have developed a loyal fanbase through their brand of pop-infused post-hardcore. Nevertheless, you can’t ignore their popularity. Let’s admit it, Sleeping With Sirens are never going to be a critically adored band.
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